Posted On Apr 25, 2022

The clear origins of the Native American Flute date back several thousand millennia to flutes made of bone, to petroglyphs, and oral history. Unclear “origins” involve the Spanish Conquest insofar as the Spanish stealing the bamboo flute from Asia, and then introducing it to the Five Civilized Tribes. A Cheyenne Flute Maker relayed this to me. The idea goes, that the bamboo flute was made out of river cane by the Five Civilized Tribes after the Spanish “brought” the bamboo flute to the “New World.” Subsequently, river cane flutes then proceeded to be constructed out of cedar wood by the Plains Tribes; hence, its origins within this idea being called Asian – Spanish. However, the Cheyenne Flute Maker said that the tribes already possessed the flute prior to the invasion, and the Spanish may have introduced it to a few. That raises some questions, but the ultimate answer we shall see is one of mystery.

What family of trees were flutes being constructed out of then? What are some woods that they are being made out of now? After answering those questions along with some general knowledge in that area, we will proceed to the clear and unclear origins of the flute. The only clear thing is that it’s a mystery who specifically invented the first flutes world wide as old as approximately 82,000 years ago.

The juniper family of trees, including cedar, was used to make the earliest flutes. To illustrate, flutes were possibly constructed out of the Arizona cypress, the Utah juniper, or the Rocky Mountain juniper, but definitely out of the eastern red cedar. The length of the branch used was crucial in determining the overall pitch desired in the flute being made. To be more specific, the distance between the holes on the flute determined the musical scale that the flute would play, which was a process of trial and error to achieve the desired order of notes. Generally speaking, longer and larger flutes were lower in pitch, while shorter and smaller flutes were higher in pitch.

Currently, other woods that flutes are being made out of today besides cedar are the following: maple, cherry, apple, pear, teak, walnut, purpleheart, ash, and spruce. This includes making them out of tree branches as opposed to buying a block of the relevant wood at a hardware store. There were cultural uses of the flute.

According to the guide at the Cherokee National Museum, the flute was used in courting. Furthermore, when the man was successful with the flute in his courting purposes in the matriarchal society of the Cherokee Nation, the woman whom he had successfully courted broke the flute in half. She did so to prevent him from playing it for anyone else. For the Cheyenne, it is historically for courting and personal expression. While some tribes have used the flute in ceremony, it’s crucial to state that some have not – all the tribes are different.

What does all this have to do with the fact that soldiers who became sleepy accused the Cheyenne of performing witchcraft when they heard Cheyenne flute music in the Cheyenne camps? According to the Cheyenne Flute Maker, when the soldiers were in the camps and heard the flute music being played, the soldiers got sleepy and fell asleep. The Doctrine of Discovery states, “to find, discover and investigate whatsoever islands, countries, regions or provinces of heathens and infidels, in whatsoever part of the world placed, which before this time were unknown to all Christians;” and, Henry VII authorized Cabot to “conquer, occupy and possess” any discovered land whatsoever. Let’s think of the question again. What does this have to do with the fact that the soldiers accused the Cheyenne of performing witchcraft? It wouldn’t be the first time in history that fundamentalists associated music virtuosity, originality, and excellence with evil. For example, some thought Paganini played the violin so fast and furious that he was possessed by demons, and some believed Robert Johnson sold his soul to the Devil in order to play the blues. It’s a very broad answer to answer why the soldiers accused the Cheyenne of witchcraft.

Regardless of the grain of truth that may exist in Spain introducing the Bamboo Flute to very few tribes, Spain wished to conquer the world. Ceremonies, languages, Indigenous musical styles, and ways of life were all affected by the invaders. Ceremonies? Hidden or now lost, yet survived in cases. Languages? Pronunciation or now lost, yet survived in cases. Indigenous musical styles? Musical influence from the “Church” modes. Ways of life? Gone as entire tribal entities when comparing past and present in the United States and in Canada; furthermore, try imagining what the above would now be if the invaders had never come. Indigenous population(s) who have been unmolested worldwide would be an exception, but the former and the latter previously mentioned affected cultural aspects and most likely unaffected cultures would require a dissertation. “Columbus was a disease” I heard it once said, as the speaker related how an entire uncommunicating network of different Indigenous tribes no longer do ceremonies to care for Mother Earth because of the genocide. But I digress even further as I add my thoughts in agreement with this (emphasis mine).

The flute was used for courting within relevant tribal customs before and during the time of being actively hunted; it was used for personal expression; it was used for ceremonial purposes. Why is it that today some want to interpret the notes the earliest flutes may have played in terms of a sliver of music theory – the major scale of which at least 80% of Western music is based?

Tunnel vision is being applied to universal sound which is owed to the vibrations of the harmonic series and crosses cultural boundaries as a universal language, but little minds always like things much smaller, don’t they? The scissor tail sings the Lydian dominant scale, except just prior to mating. Then he sings the blues scale. Witchcraft indeed.

But a fictitious flute spell is not what needs to be broken. How is it that all these different cultures worldwide developed the flute?

How is it that all those different cultures worldwide developed the flute without communicating? My best and only guess, is they “recognized their tune.”

There are no clear specific origins of the flute of any culture, except for the stories sacred to that culture and the obvious elements of the instrument’s construction with its cultural usages. What is clear is that each is a unique stylistic interpretation of a universal language, but let the mystery remain of who created it first individually –or collectively in its birth across the globe.

Some likely have made false claims, but let each unique song be sung and the spell of differentiation be broken – while maintaining the individual integrity of all.

Original Article : http://nativeamericannetroots.net/diary/284

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